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Presonus StudioLive RML32AI 32 Input Rackmount Digital Mixer


Presonus StudioLive RML32 AI - 32 Input Rackmount Digital Mixer
touch monitor is not included with the RM32AI


 
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List Price: $2,299.95
PAS Deal: $1,799.95
You save $500.00!
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Mfg Model : StudioLive RML32 AI
UPC: 673454004803
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Availability: YES, in stock
Product Code : STUDIOLIVE-RML32AI
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Description System Requirements
 

PreSonus StudioLive RML32AI 32 Input Rackmount Digital Mixing System


Product Highlights:

  • Console-Free Rackmount Design 4 RU
  • Control with Mac, Windows & iOS
  • 24 XLR & 8 XLR/1/4" Combo Inputs
  • 16 XLR Outputs
  • Capture one-click recording software with true virtual soundcheck (Mac/Windows)
  • Studio One Artist full-featured digital audio workstation software (Mac/Windows)
  • QMix-AI wireless monitor-mix control from an iPhone/iPod touch
  • Nimbit online “direct to fan” marketing, sales, and distribution service

  • Rack-mount convenience, AI power, and total recall.
    Based on the StudioLive™ AI-series mix engine and controlled with battle-ready UC Surface software for Mac®, Windows®, and iOS®, the StudioLive RM32AI and RM16AI 32-channel, 25-bus rack-mount Active Integration™ digital mixers are scalable, compact, and 100 percent recallable.

    Equally at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus® StudioLive® RML32AI 32-channel, 25-bus, rack-mount Active Integration digital mixer is a versatile and flexible solution for live sound and recording.

    StudioLive RML32AI mixers offer 24 mic inputs and 8 combo mic/line inputs and are expandable up to 64 channels.

    Flawlessly integrated with state-of-the-art software, they boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options.

    Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.
    Complete recallable touch control.
    PreSonus® UC Surface control software for Mac, Windows, and iPad was carefully designed for intuitive and quick performance in a live mixing environment but also serves well in the studio.
    The power of Active Integration™.
    StudioLive RM-series mixers are based on Active Integration™ (AI), a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system interacts to enhance the user experience and solve practical problems in ways not previously possible.
    Actively integrated software.
    PreSonus StudioLive RM-series mixers are tightly integrated with a suite of free, state-of-the-art software that helps you mix and record better and have more fun doing it. No other mixer near this price class offers comparable software.

    Wi-Fi and wired networking.
    PreSonus StudioLive™ RM-series digital mixers' Active Integration™ technology includes powerful real-time, direct, wired and Wi-Fi remote control over a variety of features, using free Mac®, Windows®, and iOS® software.

    A gigantic console in a few rack spaces.
    If a StudioLive RM mixer were an analog console, it would have 4-foot-long channel strips packed with knobs and buttons or it would require a massive outboard rack of expensive signal processors! Instead, all that processing fits in three (RM16AI) or four (RM32AI) rack spaces under software control.

    Effects you'd expect from a $600 stand-alone processor. Or four.
    Two 32-bit stereo effects engines on dedicated buses, loaded with reverbs so rich and detailed that you feel like you're there. Two more with delay effects that you can really use. Use all four without compromising other resources.

    Dedicated I/O.
    View the front of a StudioLive RM-series rack-mount mixer, and you’ll see a straightforward jackfield with XLR channel inputs, XLR mix outputs, and other important connections.

    The sound is pure PreSonus.
    Getting a great-sounding mix depends in part on how good the mixer’s components are and how well the algorithms perform. That’s especially true with RM Series analog (but digitally recallable) XMAX™ mic preamps.

    Complete store and recall instantly.
    With UC Surface, it's very quick and easy to save all of your StudioLive RM settings for quick setup and recall-unlike some digital mixers.

    UC Surface Live Mixing and Control Software
    • Designed specifically for live sound mixing
    • Multiplatform support for Mac, Windows, and iPad
      • Windows 8/10 multi-touch-compatible for large touchscreen mixing
      • Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination
    • Contextual-based navigation for quick, intuitive access to all mixing functions
    • 8 Mute Groups with All On and All Off
    • Scene Store and Recall
      • Global Scene Storage: all current StudioLive RM settings
      • Up to 99 at a time
      • 8 Quick Scenes for instant scene save/recall—like “speed dial” for scenes
      • Automatic Global AutoStore
      • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
    • Individual channel-strip setting storage
      • 50 factory channel-strip presets included for drums, bass, guitars, keyboards, and vocals
      • 50 user-channel presets for storing your own settings
      • Copy and paste among channels and buses
      • Can be saved as user presets
      • Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)
    • Security features to monitor and restrict access to the mixer’s controls

    Other Actively Integrated Software
    • Capture one-click recording software with true virtual soundcheck (Mac/Windows)
    • Studio One Artist full-featured digital audio workstation software (Mac/Windows)
    • QMix-AI wireless monitor-mix control from an iPhone/iPod touch
    • Nimbit online “direct to fan” marketing, sales, and distribution service

    Networking Connections
    • USB jack and included Wi-Fi LAN adapter provides direct wireless control (using a router)
    • Option card slot for future expansion
      • 2 FireWire S800 ports and 1 Ethernet control port on removable option card
      • Thunderbolt, Dante, and AVB cards coming soon

    Signal Processing
    • Dual Fat Channel signal processing on all channels and buses with:
      • Variable high-pass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
      • Variable low-pass filter on the mono/center bus
      • 4-band fully parametric EQ
        • Low EQ: sweepable from 36 to 465 Hz, ±15 dB, switchable shelf or peaking
        • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
        • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
        • High EQ: sweepable from 1.4 to 18 kHz, ±15 dB, switchable shelf or peaking
        • Master EQ On/Off
      • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
      • Gate with Sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec;
      • Band-pass Key Filter: 40 Hz to 16 kHz; second-order resonant band-pass filter Q (0.7) with Key Listen function
      • Limiter: Variable Threshold -28 dBFS to 0, ∞:1 Ratio
      • Pan
      • Stereo link for input channels and aux buses
      • Polarity reverse (input channels only)
      • Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
    • 15x graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses)
    • 4x 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses

    Hardware Controls
    • 32-LED meter grid
    • Front-panel Mute All button temporarily mutes all inputs and outputs
    • +48V Meters button to display phantom power assignment on the meter grid
    • Headphone source selection between Main and Cue

    Digital
    • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
    • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
    • Internal sample frequency 44.1, 48, 88.2, 96 kHz

    Physical
    • 4 RU rackmount steel chassis

    Features

    StudioLive RM32AI/RM16AI

    • Fully recallable digital mixer

    Inputs and Outputs

    • 32/16 locking XLR inputs, each with:
      • Recallable XMAX™ Class A mic preamps
      • +48V phantom power
    • Stereo tape input (RCA jacks)
    • 16/8 XLR line-level Mix outputs
      • Four 300 ms alignment delays on the last four Mix outputs
    • 2/1 DB25 jacks mirror 16/8 line-level Mix outputs
    • 3 XLR main outputs (left, right, mono/center) with analog trim pots
    • S/PDIF digital output on removable option card
    • Headphone output with volume knob and selectable source
    • 1x1 MIDI I/O (for future implementation)

    Channels and Buses

    • 32 internal channels
    • 25 mix buses
      • 16 aux mix buses
      • 3 main mix buses (left, right, mono/center)
      • Stereo solo bus
      • 4 internal FX buses (2 reverb, 2 delay)
    • Fully integrated, continuously bidirectional, 52-in/34-out, FireWire 800 direct recording interface (24-bit, 44.1/48/88.2/96 kHz)

    UC Surface Live Mixing and Control Software

    • Designed specifically for live sound mixing
    • Multiplatform support for Mac®, Windows®, and iPad®
      • Windows 8 multi-touch-compatible for large touchscreen mixing
      • Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination
    • Contextual-based navigation for quick, intuitive access to all mixing functions
    • 8 Mute Groups with All On and All Off
    • Scene Store and Recall
      • Global Scene Storage: all current StudioLive RM settings
      • Up to 99 at a time
      • 8 Quick Scenes for instant scene save/recall—like “speed dial” for scenes
      • Automatic Global AutoStore
      • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
    • Individual channel-strip setting storage
      • Up to 100 at a time, plus…
      • 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals
      • Copy and paste among channels and buses
      • Can be saved as user presets
      • Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)
    • Individual channel-strip setting storage
      • Up to 100 at a time, plus…
      • 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals
      • Copy and paste among channels and buses
      • Can be saved as user presets
      • Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)
    • Security features to monitor and restrict access to the mixer’s controls

    Other Actively Integrated Software

    • Capture™ one-click recording software with true virtual soundcheck (Mac/Windows)
    • Studio One® Artist full-featured digital audio workstation software (Mac/Windows)
    • QMix™-AI wireless monitor-mix control from an iPhone®/iPod® touch
    • Nimbit® online “direct to fan” marketing, sales, and distribution service

    Networking Connections

    • USB jack and included Wi-Fi LAN adapter provides direct wireless control (using a router)
    • Option card slot for future expansion
      • 2 FireWire S800 ports and 1 Ethernet control port on removable option card
      • Thunderbolt, Dante, and AVB cards coming soon

    Signal Processing

    • Dual Fat Channel signal processing on all channels and buses with:
      • Variable highpass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
      • Variable lowpass filter on the mono/center bus
      • 4-band fully parametric EQ
        • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
        • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
        • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
        • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
        • Master EQ On/Off
      • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
      • Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec;
      • Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
      • Limiter: Variable Threshold -28 dBfs to 0, ∞:1 Ratio
      • Pan
      • Stereo link for input channels and aux buses
      • Polarity reverse (input channels only)
      • Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
    • 15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses)
    • 4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses

    Hardware Controls

    • 32 LED meter grid
    • Front-panel Mute All button temporarily mutes all inputs and outputs
    • +48V Meters button to display phantom power assignment on the meter grid
    • Headphone source selection between Main and Cue

    Digitalia

    • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
    • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
    • Internal sample frequency 44.1, 48, 88.2, 96 kHz

    Physical

    • 4U/3U rack-mount steel chassis


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