The M-16 AD is fully identical to the M-32 AD, with these exceptions:
- only one 16-channel AD board fitted
- no fan
- lower power consumption, 40 Watts
The unit's unique set of features includes analog limiters, three hardware reference levels up to +24 dBu,
MADI and ADAT I/O up to 192 kHz, 6.3 mm TRS and D-sub inputs, remote control via MIDI, and operation across a
wide range of mains voltages, all packed into a 2U enclosure. An extraordinary limiter, conceived and optimised
for professional studio, stage, and broadcast applications, offers essential operational safety with its capability
to limit an input's overload of up to 17 dB without audible distortion (max. input level + 30 dBu).
The M-32 provides multichannel conversion in reference quality - at an unbeatable price/performance ratio!
- 32-channel* AD converter, fully symmetrical design, 116 dBA
- 19" enclosure with only 2 units height
- 1 x MADI I/O, 32 chanels @ 96 kHz, 16 channels @ 192 kHz
- 4 x ADAT Out, 16 channels @ 96 kHz, 8 channels @ 192 kHz
- Zero Delay MADI I/O: no delay compensation necessary when stacking units
- Analog limiter can be activated
- 32* LED level meters with 5 LEDs each
- 32* LEDs to display the Limiter state per channel
- SteadyClock(TM) - prestine sound quality independently from the quality of the external clock signal
- SyncCheck�� - unique technology to check clock synchronization
- All settings are stored permanently
- Fully remote controllable via MIDI and MIDI over MADI
The M-32 AD offers an outstanding AD conversion to MADI and ADAT
formats in a compact 19" unit with only 2U height. The balanced analog
inputs based on RME's reference design from the ADI-8 QS guarantee
excellent S/N and THD specs across a wide analog level range. Three
different hardware levels are available. Using up-to-date converter
technology, the device not only works up to 192 kHz, but also reaches a
real-world signal-to-noise ratio of 116 dBA - on all channels.
SteadyClock(TM) guarantees perfect sound quality through efficient
jitter suppression, making the device completely independent from the
quality of external clock signals. Intelligent Clock Control not only
displays every clock status by means of flashing LEDs, but will also
retain the last valid input sample rate in case of failure of the
external source. Other renowned RME technologies like SyncCheck allow
quick detection of clock problems.
All M-series converters are fully remote controllable and configurable
via MIDI. Each unit's complete status can be monitored, including all
the front panel's displays. Individual IDs can be set for each unit,
for separated control of multiple units via a single MIDI channel.
Control software for Mac and PC is supplied and allows easy remote
control, also with MIDI transfer via MADI (MIDI Extender).
M-32 AD and M-16 AD have optical and coaxial MADI inputs. In case of
failure of an input signal, the source is switched immediately, if a
valid signal is present on the other input.
The M-32 AD's four ADAT outputs provide simple connectivity with other
studio equipment. A combination with RME's HDSPe RayDAT makes a perfect
partnership, allowing the transfer of 32 channels into a Mac or PC with
regular optical Toslink cables at an unbeatable price. The converter's
ADAT input only serves as an optional source for external
All settings are retained when the unit is powered off.
The MADI input serves
as optional external clock source, but also as MADI pass-through input.
Since the M-32 AD uses only 32* channnels of the MADI signal, unused
channels of the input signal are fed through to the output. This way,
the signals of two or more units can be combined into one MADI stream
of 64 channels, with every unit adding its channels to the input
signal, resulting in one line at the output of the last unit.
M-32 AD and M-16 AD can be freely combined up to a total of 64 channels.
One M-32 AD can be combined with one or two M-16 AD, as can be up to four M-16 AD.
Of course, the units can be synced with sample accuracy by word clock.
The number of channels
that can be achieved with MADI depends on the sample rate range. At 48
kHz there are up to 64 channels, at 96 kHz 32, at 192 kHz 16 channels.
Therefore at 192 kHz the M-32 AD can only work as 16 channel converter.
The number of channels that can be achieved
with ADAT depends on the sample rate range. At 48 kHz there are 8
channels per port, at 96 kHz 4, at 192 kHz 2 channels. Therefore at 192
kHz the M-32 AD can convert only 8 channels via its four ADAT ports.