The
Studio Channel is a professional channel strip combining Class A tube
preamplifier, VCA-based compressor and three-band parametric equalizer
perfect for the professional and project studio. Great for all types of
microphones, instruments, keyboards and synths, the Studio Channel has
the sonic power and flexibility to achieve any tone you can dream of –
luscious in your face vocals, crystal clear acoustic guitars, fat solid
bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge
MPC tracks and more.
Enhance your signal path
The
Studio Channel noticeably outperforms preamplifiers that are built-in
to most recording interfaces and affordable mixers. Add a VCA-based
compressor and studio-grade equalizer to the class A tube preamp and
you get not only big fat tube tonality but also complete control of
your tone and sounds. Since much of the recording process is
accomplished one track at a time, you need a signal path that can
deliver a variety of high quality tones and sounds, which is why the
Studio Channel is the perfect tool for any studio.
Class A Tube Preamplifier
The
Studio Channel has everything needed to deliver big tone. The
preamplifier stage of the Studio Channel is based on the award winning
BlueTube preamplifier with a high output 12AX7 vacuum tube operating on
voltages double than all other preamplifiers in its class delivering
high headroom and big tone. Dual control Gain and Tube Drive enables a
wide range of sounds from transparent and clear to edgy and overdriven.
Full Featured VCA Compressor
The
compressor in the Studio Channel is a fully variable ultra-fast and
smooth VCA-based circuit with all of the controls needed for a wide
range of compression settings: ratio, threshold, attack, release and
gain make up. The VCA-based compressor is known for musicality as well
as ultra fast attack with the ability to tame the fastest transients.
From slap bass, to snare drum, to vocals, the Studio Channel¡¯s
compressor stage allows you to record as hot as needed without clipping
giving you total dynamic control.
Three Band Parametric EQ
The
equalizer in the Studio Channel is like a Swiss Army pocket knife, with
the ability to carve out unwanted frequencies as well as tailor your
tone to enhance your sound. The custom-designed amplifiers in the EQ
deliver sweet-sounding gain/cut for ultra smooth highs, deep solid lows
and clear midrange. The mid-band of the EQ section has variable Q for
controlling the width around the center point of the selected
frequency. High and low frequency bands give you the option for
selecting peak/dip or shelving frequencies.
Features:- Class A vacuum tube microphone / instrument preamplifier
- Tube gain and tube drive
- Variable VCA compressor (threshold, ratio, attack, release, make up gain, auto, soft)
- Three-band parametric EQ
- Precision analog VU meter for gain reduction and output
- EQ Pre/Post compressor switch
- 80Hz high pass filter
- 20dB pad
- Phase invert
- Rugged metal chassis
- High headroom
- Ultra low noise design
| Channels | One |
| Dynamic Range | >115 dB |
| Frequency Response | 10 Hz to 50 kHz |
| Internal Operating Level | 0 dBu = 0 dB |
|
| Microphone Preamp |
| Gain | -6 dB to +66 dB (+/- 10dB trim on line input) |
| Noise Floor | -96 dBu |
| EIN | -126 dB |
| THD + Noise (0% Tube Drive) | < 0.050% |
| THD + Noise (100% Tube Drive) | < 0.10% |
| Microphone Input Connector | XLR |
| Microphone Input Impedance | 1.3 k§Ù |
| Instrument Input Connector | ¨ù¡± TS |
| Instrument Input Impedance | 1 M§Ù |
| Line Input Connector | ¨ù¡± TRS |
| Line Input Impedance | 10 k§Ù |
| Phantom Power (switchable) | +48V |
| Pad (switchable) | 0 dB / -20dB |
| Phase (switchable) | 0¡Æ, 180¡Æ |
| Hi-pass filter (switchable) | -3 dB at 80 Hz |
|
| Compressor |
| Threshold (variable) | -40 dBu to +2- dBu |
| Ratio (variable) | 1-10 (1:1 to 2:1) |
| Attack (variable) | 0.1 to 200 ms |
| Release (variable) | 0.05 ms to 3 S |
| Gain Make Up | -10 dB to +10 dB |
| Metering | Analog VU (Gain Reduction / Output) |
|
| Equalizer |
| LF Band Controls: |
| Frequency | Variable from 40 Hz to 500 kHz |
| Gain | Variable between ¡¾10 dB |
| Q | 0.7 (on ¡®peak¡¯ setting) |
| MF Band Controls: |
| Frequency | Variable from 200 Hz to 3 kHz |
| Gain | Variable from -10 dB to +10 dB |
| Q | Variable from 0.7 to 2.5 |
| HF Band Controls: |
| Frequency | Variable from 2 kHz to 20 kHz |
| Gain | Variable between ¡¾10 dB |
| Q | 0.7 (on ¡®peak¡¯ setting) |
|
| Master |
| Output Fader | -80 dB to +10 dB |
| Output Connectors | XLR Balanced and ¨ù¡± TRS Balanced/Unbalanced |
| Output Impedance | 51 §Ù |
| Metering (Output level) | Analog VU (-20 dBu to +6 dBu) |
| Metering (Gain Reduction) | Analog VU -20 dB to 0 dB |
| Output Headroom | +22 dBu |
|
| Power Supply |
| Type | Linear |
| Input | 16 VAC / 1000mA |
| Power Requirements (Continuous) | 16W |
| Transformer | External (country specific) |
|
| Physical |
| Size | 1U Rack |
| Dimensions | 19¡± x 1.75¡± x 5.5¡± |
| Weight | 5 lbs |
As
a commitment to constant improvement, PreSonus Audio Electronics,
Inc.reserves the right to change any specification stated herein at
anytime in the future without notification.