| From the company that revolutionized vocal production with Auto-Tune
comes AVOX 2 - the second generation of the Antares Vocal Toolkit.
Building on the power of the original AVOX plug-in bundle, AVOX 2 adds
an additional five state-of-the-art vocal processing modules,
including Harmony Engine Vocal Modeling Harmony Generator, to give
musicians, producers, and engineers the power they need to create
stunning vocal tracks in any musical style as well as design unique
vocal effects for audio post-production applications.
And at the same MSRP as the original AVOX, AVOX 2 matches its unbeatable creative power with truly unbeatable value.
The AVOX 2 Antares Vocal Toolkit includes: Harmony Engine Vocal Modeling Harmony Generator
Harmony Engine is a real-time harmony generating plug-in that puts
professional-quality vocal harmony arrangements within reach of any
songwriter, producer, musician or engineer.
With four independent harmony voices, a variety of powerful harmony
generating modes, humanization features for natural sounding
performances, and a flexible real-time preset system for harmony and
vocal type, Harmony Engine provides incredibly easy-to-use tools to
quickly and easily produce virtually any vocal arrangement you can
imagine.
Whether you¡¯re an experienced vocal arranger, a songwriter looking for
that perfect backup vocal, or a composer experimenting with unique
vocal effects, Harmony Engine gives you entirely new ways to create
the harmony parts you hear in your head. In fact, experimenting with
different harmonies is so easy (and, dare we suggest, fun), you may
find yourself using Harmony Engine to explore harmonic alternatives
you may have never otherwise considered. MUTATOR Extreme Voice Designer
MUTATOR provides a combination of tools for creating unusual, weird,
or downright wacky voices. With high-quality pitch shifting, throat
modeling, pitch-tracking ring modulator-based ¡°Mutation,¡± and a mind-
bending Alienization function, MUTATOR is the perfect tool for unique
vocal special effects and post-production sound design. ARTICULATOR Vocal Formant and Amplitude Modeler
The alien offspring of a vocoder and a modern-day version of the
venerable talk box, ARTICULATOR lets you extract the formant and
amplitude information from a vocal (or other dynamic source) and apply
it to any other audio track or to a built-in broadband noise
generator. Perfect for talking guitars, singing synths, whispering
voices, and a wide range of special effects. WARM Tube Saturation Generator
Based on Antares' legendary Tube plug-in, WARM warms up vocals with
Antares' world-renown analog tube modeling technology, while being so
processing-efficient that you can put an instance on pretty much every
track in a project and still barely see your CPU meter twitch.
With two tube models, a variable Drive control to set just the right
amount of dynamic saturation, and an innovative OmniTube¢â function to
apply the tube effect to the entire signal (as opposed to just the
transients), WARM is a great-sounding, incredibly easy-to-use tool for
giving your vocals the benefits of a wide range of modeled analog tube
effects. ASPIRE Aspiration Noise Processor
ASPIRE is the world's first tool for modifying a voice's breathiness
independently of its harmonic content. Whether reducing a bit of vocal
rasp or adding a bit of smokiness, ASPIRE allows modification of the
amount and quality of a voice¡¯s aspiration noise without otherwise
affecting the vocal¡¯s harmonic characteristics.
When you speak or sing, air from your lungs is forced through your
vocal chords, causing them to vibrate. The resulting waveform is
propagated through the throat, the mouth and out through the lips. It
is the shape of these structures that create the resonant
characteristics that define a unique vocal identity.
But going into a bit more detail, the vocal waveform is actually a
combination of two different components. One, the one we usually think
of as the primary element of vocal timbre, is the harmonic content
generated by the process described above. However, there is a second
component that is generated by the turbulence of the air rushing past
the vocal chords. This component, aspiration noise, does not have
harmonic content and can roughly be thought of as ¡°breathiness.¡±
Aspiration noise presents itself in a variety of ways, from a subtle
bit of breathiness to a full-blown rasp. Of course, whether it¡¯s a
problem or not depends on the amount of noise and the style of a
performance. A whole lot of roughness that would work well for
screaming punk or roots blues might well be a problem for mainstream
pop or a smooth ballad (of course, it also might not). Up to now,
there wasn¡¯t much you could do about it. Now, with ASPIRE, there is. THROAT Physical Modeling Vocal Designer THROAT is a radical new vocal tool that, for the first time, lets
you process a vocal through a meticulously crafted physical model of
the human vocal tract. THROAT begins by neutralizing the effect of the
original singer's vocal tract and then gives you the ability to specify
the characteristics of the modeled vocal tract. THROAT's
controls allow you modify the voice's glottal waveform as well as
globally stretch, shorten, widen or constrict the modeled vocal tract.
For even more detailed control, THROAT's graphical Throat Shaping
display allows you to individually adjust the position and width of
five points in the vocal tract model, from the vocal cords, through the
throat, mouth and out to the lips. Finally, THROAT's Breathiness
controls let you add variable frequency noise to the model, resulting
in a range of vocal effects from subtle breathiness, to raspiness, to a
full whisper.
While THROAT has been designed to allow
subtle modifications to a voice's vocal quality, the range of the
controls also allows the creation of vocal tract models well beyond the
limits of physical human anatomy, offering the possibility of vocal
characteristics that are simply unattainable by any other means. DUO Vocal Modeling Auto-Doubler
DUO
automatically generates a doubled vocal part from an existing vocal. In
addition to allowing programmable variation in pitch, timing and
vibrato depth, for even more realism, DUO also includes a simplified
version of THROAT's vocal modeling to provide timbral variation for the
doubled part. DUO's output section gives you independent control of the
level and stereo position of the original and doubled voices. CHOIR Vocal Multiplier
Neither
a harmonizer nor a conventional chorus effect, CHOIR is a unique
processor that actually turns a single voice into 4, 8, 16, or 32
distinct individual unison voices, each with its own pitch, timing and
vibrato variations. The voices can, if desired, be spread across the
stereo spectrum. Assign an instance of CHOIR to each of four voices
singing four-part harmony and voilà, instant choir. PUNCH Vocal Impact Enhancer
PUNCH
is a unique processor that, as its name so ably implies, lets you give
your vocal more dynamic impact, allowing it to cut through a dense mix
with clarity and power. Combining advanced dynamic processing with an
incredibly easy-to-use interface, PUNCH gives professional results
while letting you focus on your music.
As Paul White put it in his review of PUNCH in Sound On Sound:
"...you
can nail the level of a vocal track in a mix without being a
compression wizard...If you can't get your vocal to sit in a track
using this, it's probably deficient in some other way." SYBIL Variable Frequency De-Esser
SYBIL
tames vocal sibilance with a flexible compressor with threshold, ratio,
attack and decay controls as well as a variable highpass frequency to
match any vocal performance.
The AVOX 2 bundle, which represents a greater than 60% savings over
the MSRPs of the individual plug-ins, is available at your local
Antares dealer in versions for RTAS (Mac OS X and PC), VST (Mac OS X
and PC), and Audio Units. SPECIFICATIONS
AVOX 2 is available for:
Macintosh (Universal Binaries)
* RTAS
* VST
* Audio Units
PC
* RTAS
* VST
SYSTEM REQUIREMENTS
Macintosh Versions
Minimum: 1.5GHz G4 processor
Recommended: 1.8GHz (or faster) G5 or Intel processor
RTAS:
* Pro Tools HD or Pro Tools LE 7.x or later.
* Mac OS 10.4 or later as required by your version of Pro Tools.
VST:
* A host program that supports the VST format.
* Mac OS 10.4 or later as required by your host.
Audio Units:
* A host program that supports the Audio Units format.
* Mac OS 10.4 or later as required by your host.
PC Versions
Minimum: 1.7 GHz single core processor.
Recommended: Any dual core processor
RTAS:
* Pro Tools HD or Pro Tools LE 7.x or later.
* Windows XP or Vista as required by your version of Pro Tools.
VST:
* A host program that supports the VST format.
* Windows XP or Vista as required by your host.
MIDI
Harmony Engine's MIDI functions require that your host allow routing
of MIDI to plug-ins. If your host application does not support the
routing of MIDI to plug-ins, Harmony Engine's MIDI functions will not
operate (and trust us, you will be seriously bummed).
AVOX 2 authorization requires an iLok USB smart key (sold separately)
and the ability to access ilok.com (from any computer).
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