At the 1971 NAMM convention, Bob Moog introduced the
Minimoog, the very first compact and affordable synthesizer for musicians. With
its excellent fat sound and its unparalleled filters, the Minimoog eventually
became responsible for some of the warmer and best analog synth bass, lead and
whistle sounds ever.
At the 2004 NAMM show, Arturia introduced the
minimoog V, a faithful reproduction of the Minimoog! Offering all the features
of the original, the software version also brings polyphony, MIDI management,
presets. And taking advantage of the possibilities of modern tools, beyond the
control panel are some additional hidden functions: a modulation matrix, a LFO,
an arpegiator, a chorus and a delay.
But what about the core of the
Minimoog, the sound? Thanks to TAE, Arturia proprietary technology for emulating
analog circuits, the minimoog V offers an unchallenged quality of sound. Sharp
filters, aliasing-free oscillators, soft-clipping limitation guarantee you have
the best emulation on the market.
Loaded with hundreds of presets made by
some of the most talented Minimoog users, the minimoog V is certainly an
instrument which is going to bring a lot to your musical
palette.
Arturia minimoog V Features:
- 1 modulation matrix offering up to six different connections between 12
sources and 32 destinations
- 1 LFO which can be synchronised on the tempo of the host sequencer
- 1 arpegiator which can also be synchronised in the same way
- 1 three-mode chorus
- 1 stereo delay to be synchronised via MIDI
- Possibility to synchronise Osc2 on Osc1
- 3 oscillators offering multiple waveforms. The third oscillator can
modulate either the first two oscillators or the filter.
- 1 mixer with a built-in overload circuit
- 1 legendary 24 dB/oct resonant filter
- 2 ADSR envelope generators
- 1 external audio input
- 1 external oscillator and filter modulation input
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