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Impact Twin - FireWire Interface, TC Electronic
Impact Twin is a brand new, state of the art audio interface that
features ground-breaking technology to ensure that the music you record
sounds as good on the inside of your computer as it does on the outside.
How?
Well, Impact Twin�s two mic preamps utilize our Impact
III� Technology which itself features three stages of top
level processing.
You get a high quality and very flexible mic preamp,
superior 24/192 HD Conversion, plus a set of recording Channel
Tools that lets you shape and optimize your sound making it the
perfect recording. With each of these stages carefully combined behind
Impact Twin�s rugged and cool looking exterior, you have a �take
anywhere� device that offers the ultimate in recording quality.
Let�s
look in more detail at those all-important stages.
The Impact III Mic preamp makes the best of any
microphone. So whether you record with the finest vintage tube mics, the
most demanding low-budget condensers, or even a handheld dynamic,
Impact Twin has been designed from the ground up to maximize the signal
you record into your DAW. And with the two Impact III mic preamps,
Impact Twin gives you maximum flexibility. Whether recording instrument,
line or mic, with or without phantom power, Impact Twin works the way
you need it to.
However, no matter how good your mic preamps, if your signal path
doesn�t then lead on to the best converters then you may as well pack up
and go home. Impact Twin�s 24/192 HD Convertors let you select your
conversion rate � all the way from 44.1kHz right up to High Definition
192kHz for the ultimate in pristine audio capture, maintaining the
essential transients of your sound. For years we�ve been innovating in
the world of signal enhancement, so Impact Twin includes essential
recording Channel Tools that go even further to optimize your sound with
onboard EQ, Compressor and De-esser that quickly, simply and invisibly
tame and enhance those signals � no matter what you�re recording. Impact
Twin What you play now really is 100% what you record. What you
record now really is 100% what you play. Included with Impact Twin - M40 Studio Reverb -
Assimilator - ResFilter - Ableton Live Lite 8 TC Electronic
Edition
Two mic preamps featuring IMPACT III� Technology
With these two pristine mic preamps you never have to worry about
recording quality again
Channel Tools
Quickly and easily optimize the tone of your recordings with Impact
Twin�s built-in channel tools
Hi-Z Guitar optimized inputs
Ensure the tone of your guitars is beautifully preserved with two
front-panel mounted Hi-Z guitar-optimized inputs
Direct Monitor Reverb
A simple way to add reverb at the monitor stage so the singer can enjoy
quality reverb through their headphones
iCheck
The iCheck (Integrity Check) feature provides a shortcut for revealing
artifacts of data reduction - essential when encoding mp3 or AAC files
|
When data reducing your audio with mp3 or AAC codecs, the part that
is most affected is the stereo signal. Engaging the iCheck feature will
make Impact Twin play back the part of your signal that is only present
in either the left or right channel, revealing the artifacts of data
reduction in your stereo signal. Thomas shows us some good examples. You
can compare the data reduced and uncompressed side audio in the
following two .wav files
Beethoven
Linear Beethoven
128 kBit/S
|
Close |
 |
|
Included plug-ins (M40 reverb, ResFilter, Assimilator)
Impact Twin comes bundled with pristine TC effects processing. The M40 Studio Reverb is
based on an algorithm from our acclaimed Reverb 4000 processor. The
multi-purpose ResFilter
provides ultra-fat filter sound. The Assimilator EQ
curve assimilation tool lets you quickly grab an EQ curve from any sound
and apply it to your own
|
|
The M40 Studio Reverb is included with most of TC's audio interfaces
and also with Impact Twin. You can hear some sound examples in this
video. ResFilter is also included with Impact Twin and is a really cool
plug-in that offers you ultra fat filtering effects. Throw in resonance,
6, 12 and 24 dB slopes for even more stunning sounds. Thomas shows you
how it can be used in this video.
|
Close |
 |
|
|
Quick compressor access and feedback
Access the crucial compressor setting directly from Impact Twin�s front
panel � the light ring instantly shows gain reduction
|
|
The compressor and reverb that comes with Impact Twin can easily be
accessed from the front panel of Impact Twin. Turning the knob controls
the amount of compression and pushing it will turn the compressor on and
off. The light ring also indicates the amount of gain reduction when
using the compressor. The knob will also control the different reverb
parameters.
|
Close |
 |
|
|
JetPLL jitter reduction
Everybody talks about analog sound quality, but what about digital? With
built-in JetPLL jitter reduction technology, Impact Twin ensures superb
audio quality all the way through the device
|
|
The digital audio routing inside Impact Twin is handled by the DICE
II chip which is also developed by TC Electronic. DIgital audio quality
is as important if not more important than analog because it affects how
the converters perform
|
Close |
 |
|
|
192/24 HD Conversion
Impact Twin�s HD Convertors let you select your conversion rate � all
the way from 44.1kHz right up to High Definition 192kHz for the ultimate
in pristine audio capture, maintaining the essential transients of your
sound.
|
|
A very important factor when recording audio into your digital audio
workstation is converting your audio from analog to digital. Impact Twin
is equipped with 2 AKM converters that work perfectly together with the
IMPACT III preamps.
|
Close |
 |
|
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Ableton Live Lite 8 TC Electronic Edition included
Bundled with Impact Twin is Ableton Live Lite 8 TC Electronic Edition
|
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Close |
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14/14 I/O (4 analog, 10 digital I/O)
14 ins and 14 outs give the flexibility to record and monitor just about
any device you can think of
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Impact Twin Tech Specs
Digital Inputs and Outputs
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Connector (S/PDIF) |
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RCA Phono, 75 Ohm |
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Formats (S/PDIF and TOSLINK) |
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S/PDIF (24 bit), IEC 958, Pro-status bits |
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Connector (ADAT� or TOSLINK) |
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Optical Pipe |
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Format (ADAT�) |
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8-ch. @ 48 kHz, 4-ch. SMUX @ 96 kHz |
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Digital IO Engine |
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TCAT DICE II, handling all IO formats |
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Internal Sample Rates |
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44.1, 48, 88.2, 96, 176.4 and 192 kHz |
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External Sample Rates |
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43 to 193 kHz, jitter rejection at all rates |
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Jitter Rejection Engine |
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JET� technology in TCAT DICE II |
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Jitter Rejection Filter (4th order) |
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> 3 dB @ 10 Hz, > 100 dB @ 600 Hz |
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DIO Interface Jitter |
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< 1 ns peak, BW: 700 Hz to 100 kHz |
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AD/DA Conversion Jitter |
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< 42 ps RMS, BW: 100 Hz to 40 kHz |
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Digital Output Phase (stand-alone and across network) |
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< 0.5 % of Sample Period |
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Input Slip Sample Tolerance(all DIs) |
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+50 % to -50 % of sample period |
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Processing Delay DIO @ 96/48 kHz |
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0.15/0.3 ms |
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Frequency Response DIO |
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DC to 23.9 kHz � 0.01 dB @ 48 kHz |
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Line Inputs Ch. 1, 2, 3, 4
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Connectors |
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1/4" Phone Jack (balanced) |
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Impedance, Bal./Unbal. |
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20 kOhm/25 kOhm |
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Full Scale Input Level @ 0 dBFS |
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+13 dBu |
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THD+N |
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< -100 dB (0.001 %) @ 1 kHz, -1 dBFS |
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SNR |
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>111 dB(A), >108 dB, 20 Hz to 20 kHz |
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Freq. Response |
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+0/-0.5 dB, 20 Hz to 20 kHz |
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Crosstalk |
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< -100 dB, 20 Hz to 20 kHz |
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A to D Conversion |
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24 bit, 128 x oversampling bitstream |
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A to D Delay |
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0.68 ms / 0.63 ms @ 44.1 kHz / 48 kHz |
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Connectors |
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Neutrik Combo (XLR) |
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Sensitivity Full Range Pad on/off |
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-10/+10 dBu <> -52/ -32 dBu |
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Total Preamp gain |
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62 dB |
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Impedance, Pad on/off |
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2000/1300 ohm |
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NF @ Rg = 150 ohm, Max. Gain |
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< 4 dB |
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EIN @ Rg = 150 ohm, Max. Gain |
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< -127 dBu |
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THD+N, Min. Gain |
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< -100 dB (0.001%) @ 1 kHz, -1 dBFS |
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SNR, Min. Gain |
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>109 dB(A), >106 dB, 20 Hz to 20 kHz |
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Hi Gain |
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+/- 12 dB |
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Hi Frequency |
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200 Hz to 40 kHz |
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Hi Bell |
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On: 6 dB/oct. shelve / Off: Parametric |
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Hi Mid Gain |
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+/- 12 dB |
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Hi Mid Frequency |
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200 Hz to 20 kHz |
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Hi Mid Bandwith |
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0.10 to 4.0 |
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Lo Mid Gain |
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+/- 12 dB |
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Lo Mid Frequency |
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20 Hz to 2 kHz |
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Lo Mid Bandwidth |
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0.10 to 4.0 |
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Lo Gain |
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+/- 12 dB (only available when Lo cut is off) |
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Lo Frequency |
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20 Hz - 400 Hz |
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Lo CUT |
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On: Cut / Off: 6 dB/oct. shelve |
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Compression/De-Essing styles |
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"Female Voice", "SoftFemale Voice",
"HardMale Voice", "SoftMale "Voice", "Hard", "Guitar", "Bass", "Speak",
"Sax", "Trumpet", "Snare", "Percussion", "All purpose" |
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Connectors |
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Neutrik Combo (1/4" Phone Jack) |
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Sensitivity Range |
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-25 dBu <> +17 dBu |
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Total Preamp gain |
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42 dB |
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Impedance |
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1 MOhm |
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THD+N, Min. Gain |
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< -100 dB (0.001%) @ 1 kHz, -1 dBFS |
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SNR, Min. Gain |
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>107 dB(A), >104 dB, 20 Hz to 20 kHz |
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Crosstalk |
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< -100 dB, 20 Hz to 20 kHz |
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Monitor/Line Outputs Ch. 1, 2, 3, 4
|
Connectors |
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1/4" Phone Jack. Ground sensing design. |
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Impedance |
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< 100 Ohm |
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Level Range (Ch. 1, 2) |
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-40 dBu <> +12 dBu (analog gain scale) |
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Fixed Full Scale Range (Ch. 3, 4) |
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+12 dBu |
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THD+N |
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< -94 dB (0.002%) @ 1 kHz, -1 dBFS |
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SNR |
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>111 dB(A), >108 dB, 20 Hz to 20 kHz |
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Freq. Response |
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+0/-0.1 dB, 20 Hz to 20 kHz |
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Crosstalk |
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< -100 dB, 20 Hz to 20 kHz |
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D to A Conversion |
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24 bit, 128 x Oversampling Bitstream |
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D to A Delay |
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0.70 ms / 0.65 ms @ 44.1 kHz / 48 kHz |
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Connectors |
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2 x 1/4" Phone Jack (Stereo) |
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Impedance |
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80 Ohm |
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Gain Level Range |
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-80 dBu <> +16 dBu @ 300 ohm (analog gain scale) |
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THD+N |
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< -94 dB (0.002%) @ 1 kHz, -1 dBFS |
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SNR |
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>103 dB(A), > 100 dB, 20 Hz to 20 kHz |
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Freq. Response |
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+0/-0.1 dB, 20 Hz to 20 kHz |
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Crosstalk |
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< -100 dB, 20 Hz to 20 kHz |
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Power @ 40 Ohm Load |
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200 mW |
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Power @ 600 Ohm Load |
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93 mW |
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Complies With |
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EN 55103-1 and EN 55103-2, FCC part 15 Class B, CISPR 22 Class B |
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Certified To |
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IEC 60065, EN 60065, UL60065 and CSA E60065 CSA FILE #LR108093 |
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Operating Temperature |
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32� F to 122� F (0� C to 50� C) |
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Storage Temperature |
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-22� F to 167� F (-30� C to 70� C) |
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Humidity |
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Max. 90 % non-condensing |
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MIDI |
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In/Out: 5 Pin DIN |
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FireWire (DAW) |
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IEEE 1394a, IEC 61883 |
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Dimensions (W x H x D) |
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9.28" x 2.48" x 9.5" (235.8 x 63 x 241.2 mm) |
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Weight |
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3.3 lb. (1.5 kg) |
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Finish |
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Acrylic front panel. Plated and coated steel back plate. Rubber coated soft touch cover surrounding metal chassis. |
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PPM Meter (Ch. 1, 2) |
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3 LEDs per channel |
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Mains Power Supply (included) |
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12V DC, Adapter for 90 to 240 VAC, 50 to 60 Hz (auto select) |
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FireWire bus-powered |
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8 to 30 VDC |
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Power Consumption |
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<14 W |
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Warranty Parts and labor |
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1 Year |
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Features
Impact Twin Details-
-
 -
| -
- Two mic preamps featuring IMPACT III� Technology
- With these two pristine mic preamps you never have to worry about recording quality again
-
| -
| - Video
- Product manager Thomas Valter talks about the pristine preamps in Impact
- Twin. The preamp is a crucial part of your path when recording audio.
- That's why Impact Twin is equipped with 2 outstanding preamps based on
- IMPACT IIITM technology.
| -
 |
-
Product manager Thomas Valter talks about the pristine preamps in - Impact Twin. The preamp is a crucial part of your path when recording
- audio. That's why Impact Twin is equipped with 2 outstanding preamps
- based on IMPACT IIITM technology.
| -
Close | -
 |
-
|
-
-
 -
| -
- Channel Tools
- Quickly and easily optimize the tone of your recordings with Impact Twin�s built-in channel tools
-
| -
-
|
-
-
 -
| -
- Hi-Z Guitar optimized inputs
- Ensure the tone of your guitars is beautifully preserved with two front-panel mounted Hi-Z guitar-optimized inputs
-
| -
-
|
-
-
 -
| -
- Direct Monitor Reverb
- A simple way to add reverb at the monitor stage so the singer can enjoy quality reverb through their headphones
-
| -
| - Video
- In this video Thomas explains the Direct Monitor Reverb feature. Impact
- Twin comes with Direct Monitor Reverb and it can be added to your
- performer's mix to create a nice recording environment.
| -
 |
-
In this video Thomas explains the Direct Monitor Reverb feature. - Impact Twin comes with Direct Monitor Reverb and it can be added to your
- performer's mix to create a nice recording environment.
| -
Close | -
 |
-
|
-
-
 -
| -
- iCheck
- The iCheck (Integrity Check) feature provides a shortcut for revealing
- artifacts of data reduction - essential when encoding mp3 or AAC files
-
| -
| - Video
- When data reducing your audio with mp3 or AAC codecs, the part that is
- most affected is the stereo signal. Engaging the iCheck feature will
- make Impact Twin play back the part of your signal that is only present
- in either the left or right channel, revealing the artifacts of data
- reduction in your stereo signal. Thomas shows us some good examples. You
- can compare the data reduced and uncompressed side audio in the
- following two .wav files
Beethoven Linear Beethoven 128 kBit/S | -
 |
-
When data reducing your audio with mp3 or AAC codecs, the part that - is most affected is the stereo signal. Engaging the iCheck feature will
- make Impact Twin play back the part of your signal that is only present
- in either the left or right channel, revealing the artifacts of data
- reduction in your stereo signal. Thomas shows us some good examples. You
- can compare the data reduced and uncompressed side audio in the
- following two .wav files
Beethoven Linear Beethoven 128 kBit/S | -
Close | -
 |
-
|
-
-
 -
| -
- Included plug-ins (M40 reverb, ResFilter, Assimilator)
- Impact Twin comes bundled with pristine TC effects processing. The M40 Studio Reverb is based on an algorithm from our acclaimed Reverb 4000 processor. The multi-purpose ResFilter provides ultra-fat filter sound. The Assimilator EQ curve assimilation tool lets you quickly grab an EQ curve from any sound and apply it to your own
-
| -
| - Video
- The M40 Studio Reverb is included with most of TC's audio interfaces and
- also with Impact Twin. You can hear some sound examples in this video.
- ResFilter is also included with Impact Twin and is a really cool plug-in
- that offers you ultra fat filtering effects. Throw in resonance, 6, 12
- and 24 dB slopes for even more stunning sounds. Thomas shows you how it
- can be used in this video.
| -
 |
-
The M40 Studio Reverb is included with most of TC's audio interfaces - and also with Impact Twin. You can hear some sound examples in this
- video. ResFilter is also included with Impact Twin and is a really cool
- plug-in that offers you ultra fat filtering effects. Throw in resonance,
- 6, 12 and 24 dB slopes for even more stunning sounds. Thomas shows you
- how it can be used in this video.
| -
Close | -
 |
-
|
-
-
 -
| -
- Quick compressor access and feedback
- Access the crucial compressor setting directly from Impact Twin�s front panel � the light ring instantly shows gain reduction
-
| -
| - Video
- The compressor and reverb that comes with Impact Twin can easily be
- accessed from the front panel of Impact Twin. Turning the knob controls
- the amount of compression and pushing it will turn the compressor on and
- off. The light ring also indicates the amount of gain reduction when
- using the compressor. The knob will also control the different reverb
- parameters.
| -
 |
-
The compressor and reverb that comes with Impact Twin can easily be - accessed from the front panel of Impact Twin. Turning the knob controls
- the amount of compression and pushing it will turn the compressor on and
- off. The light ring also indicates the amount of gain reduction when
- using the compressor. The knob will also control the different reverb
- parameters.
| -
Close | -
 |
-
|
-
-
 -
| -
- JetPLL jitter reduction
- Everybody talks about analog sound quality, but what about digital? With
- built-in JetPLL jitter reduction technology, Impact Twin ensures superb
- audio quality all the way through the device
-
| -
| - Video
- The digital audio routing inside Impact Twin is handled by the DICE II
- chip which is also developed by TC Electronic. DIgital audio quality is
- as important if not more important than analog because it affects how
- the converters perform
| -
 |
-
The digital audio routing inside Impact Twin is handled by the DICE - II chip which is also developed by TC Electronic. DIgital audio quality
- is as important if not more important than analog because it affects how
- the converters perform
| -
Close | -
 |
-
|
-
-
 -
| -
- 192/24 HD Conversion
- Impact Twin�s HD Convertors let you select your conversion rate � all
- the way from 44.1kHz right up to High Definition 192kHz for the ultimate
- in pristine audio capture, maintaining the essential transients of your
- sound.
-
| -
| - Video
- A very important factor when recording audio into your digital audio
- workstation is converting your audio from analog to digital. Impact Twin
- is equipped with 2 AKM converters that work perfectly together with the
- IMPACT III preamps.
| -
 |
-
A very important factor when recording audio into your digital audio - workstation is converting your audio from analog to digital. Impact Twin
- is equipped with 2 AKM converters that work perfectly together with the
- IMPACT III preamps.
| -
Close | -
 |
-
|
-
-
 -
| -
- Ableton Live Lite 8 TC Electronic Edition included
- Bundled with Impact Twin is Ableton Live Lite 8 TC Electronic Edition
-
| -
-
| -
Close | -
 |
-
|
-
-
 -
| -
- 14/14 I/O (4 analog, 10 digital I/O)
- 14 ins and 14 outs give the flexibility to record and monitor just about any device you can think of
-
| -
| - Video
- Impact Twin has very flexible connect options. It features 14 ins/ 14
- outs where 4 are analog and 10 are digital via SPDIF, adat and TOS.
- Input 1 and 2 can be accessed both from the front and the rear of Impact
- Twin and can be toggled via a button on the front panel.
| -
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