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Little Labs PCP Instrument Distro 3.1 Single Unit


Little Labs PCP Instrument Distro 3.1 Single Unit


 
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PCP
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Little Labs PCP Instrument Distro 3.1 Single Unit


Made in the USA, by an American!
Support American made products
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Designed to eliminate the many headaches involved in recording guitars, it is also an invaluable tool in live guitar sound, and as an aid when utilizing vintage guitar effects on any instrument. Whether in the studio or live,
YOU need the PCP Instrument Distro.

Little Labs PCP Instrument Distro Single Unit

  • Is a one-in three-out guitar splitter (expandable to two-in six-out) featuring transformer isolated guitar level/impedance outputs with phase reverse, ground lift, and level adjust on each output.
  • Is an Audiophile highest quality line level direct box.
  • Allows three +4 dB balanced pro level inputs, which can be summed together as well as with the instrument input, to feed the guitar level/impedance outputs for feeding guitar pedals/effects and or amplifiers for "re-amping",thus easily enabling ,like never before, doubling of guitar parts through the instrument amp.
  • Is a guitar line driver for when a low output impedance is necessary to drive a long cable (utilizing a combo or twin amp and you need to play in the control room).
  • Allows prerecorded direct guitar parts to be utilized live, through the guitar amp, allowing the guitar player to play along without missing a lick.
  • Has NO modern hierarchical menus. Use your imagination. The possibilities are limitless.
  • This box is a professional, well made, robust, super flexible, and easy to use tool.
  • Three year Warranty.

*five out if you use the mult(direct out) and the combo amp line driver.

The PCP was introduced in 1996, refined in 1999 ..it is rapidly becoming a classic, and no engineer should be without it.

Important note: Be aware the PCP uses very special custom transformers, not off-the-shelf brand name transformers (we tried them all and for this application they just don't sound right). Much effort went into the design of the PCPs transformers in order to sound "right" and cannot be simulated by a drag (resistive loading of your pick-ups) control. The PCP was designed in the studio with the help of the best ears in the business, why else would top professionals such as Bob Ezrin, Joe Baressi, Tchad Blake, Mike Campbell, Joe Chicarelli, Karl Derfler, Neal Dorfsmann, George Drakoulias, Billy Gibbons, Matt Hyde, John Paterno, David S Sardy, Don Smith and Michael Wagener, use it? .

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