Schoeps Microphones

(2) CMC6 with MK22 Open Cardioid matched pair, (2) SG20 stand clamps, B5 D popscreens

(2) CMC6 with MK2 Omni matched pair, (2) SG20 stand clamps, B5 D popscreens

(2) CMC6 with MK2 Omni matched pair, (2) SG20 stand clamps, B5 D popscreens

Elastic Double Suspension.

allows the angle of a capsule to be adjusted on all microphone amplifiers of the Colette modular system

This cable is used as an extension cable especially for double M/S.

CMC 6 Microphone Amp and MK 2 Omnidirectional Condenser Capsule

open cardioid capsule for the Schoeps CMC series mics

CMC 6U amplifier, MK8 figure-eight capsule, SG20 stand clamp, B5 popscreen

A20S,SingleElastic Suspension shock mount, w/stiffer elastics,Schoeps

Stereo Microphone Cable XLR-5, 5 m

Stereo Microphone Cable XLR-5. 10m

Stereo Microphone Cable XLR-5, 20m

Stereo Microphone Cable XLR-5, 30m

This sphere accessory (40 mm diameter) is for use with omnidirectional microphones

for a microphone with 20 or 21 mm diameter (e.g. CMC and CMBI or CMIT)

for two standard microphones of the Colette modular system

This convenient elastic suspension device accepts any microphone or accessory (such as a gooseneck) with a 20 mm diameter.

pressure transducer with hemispherical pattern. active miniature version of the BLM 3g

microphone capsule (pressure transducer) designed for placement at an acoustic boundary layer

omnidirectional pattern, mild high-frequency rise to compensate for losses at medium recording distance

omnidirectional, for use close to the sound source (frontal sound incidence)

omnidirectional pattern,  high-frequency rise to compensate for losses at moderate recording distances

The CCM 3 is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments

The CCM 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid.

supercardioid with especially consistent directionality throughout its frequency range

classic cardioid, suitable for the widest range of applications, either as a spot microphone or for stereo recording

cardioid pattern. for pickup of speech or music at close range (under 50 cm)

vertical (side-addressed) cardioid capsule. for a very wide range of recording applications

cardioid for lateral pickup. for pickup of speech or music at close range (under 10 cm)

omni and cardioid patterns, mechanically switchable. slight emphasis of the high frequencies

figure-8 pattern with near-ideal consistency across the frequency range

flat frequency response. extremely low noise and distortion

Handheld Supercardioid Microphone, built-in protection from plosive sounds

Cardioid Handheld Microphone, built-in protection from plosive sounds

omnidirectional pattern.  flat frequency response

wide cardioid. consistent directionality throughout its frequency range

omnidirectional pattern. mild high-frequency rise to compensate for losses at medium recording distance

omnidirectional pattern, slight high-frequency rise to compensate for losses at moderate recording distances