(2) CMC6 with MK2 Omni matched pair, (2) SG20 stand clamps, B5 D popscreens

(2) CMC6 with MK22 Open Cardioid matched pair, (2) SG20 stand clamps, B5 D popscreens

Basket windshield, elastic suspension and cable box for CCM-L

allows the angle of a capsule to be adjusted on all microphone amplifiers of the Colette modular system

This cable is used as an extension cable especially for double M/S.

CMC 6U amplifier, MK8 figure-eight capsule, SG20 stand clamp, B5 popscreen

A20S,SingleElastic Suspension shock mount, w/stiffer elastics,Schoeps

Elastic Double Suspension. variable angle of inclination and angle between the microphones

Elastic Double Suspension. variable angle of inclination and angle between the microphones

for a microphone with 20 or 21 mm diameter (e.g. CMC and CMBI or CMIT)

for two standard microphones of the Colette modular system

This convenient elastic suspension device accepts any microphone or accessory (such as a gooseneck) with a 20 mm diameter.

pressure transducer with hemispherical pattern. active miniature version of the BLM 3g

microphone capsule (pressure transducer) designed for placement at an acoustic boundary layer

CCM 21H Lg Wide Cardioid, Lemo-disconnect, high frequency emphasis for more brilliant sound image

wide cardioid with especially consistent directionality throughout its frequency range

omnidirectional pattern, mild high-frequency rise to compensate for losses at medium recording distance

omnidirectional, for use close to the sound source (frontal sound incidence)

omnidirectional pattern,  high-frequency rise to compensate for losses at moderate recording distances

The CCM 3 is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments

The CCM 41 is strongly directional. Sound arriving from off axis is attenuated even more than with a cardioid.

supercardioid with especially consistent directionality throughout its frequency range

classic cardioid, suitable for the widest range of applications, either as a spot microphone or for stereo recording

cardioid pattern. for pickup of speech or music at close range (under 50 cm)

vertical (side-addressed) cardioid capsule. for a very wide range of recording applications

cardioid for lateral pickup. for pickup of speech or music at close range (under 10 cm)

omni and cardioid patterns, mechanically switchable. slight emphasis of the high frequencies

figure-8 pattern with near-ideal consistency across the frequency range

The CMC 5 Ug is designed exclusively for 48-Volt phantom powering.

flat frequency response. extremely low noise and distortion

Handheld Supercardioid Microphone, built-in protection from plosive sounds

Cardioid Handheld Microphone, built-in protection from plosive sounds

very effective suppression of low-frequency and infrasonic effects of wind and vibration

The KFM 6 sphere microphone is the embodiment of a stereo microphone design using an acoustic baffle

omnidirectional pattern.  flat frequency response

wide cardioid. consistent directionality throughout its frequency range

wide cardioid pattern. consistent directionality throughout its frequency range

omnidirectional pattern. mild high-frequency rise to compensate for losses at medium recording distance

omnidirectional pattern, slight high-frequency rise to compensate for losses at moderate recording distances

omnidirectional pattern, for miking distances at which the predominant sound is no longer direct